#LookCloser – Au Revoir, Seals Model A.5 – Michael Knight Edition, in Collaboration with Matt Smith-Johnson

FurryWristAbroad (FWA)

Marshall: Just FYI, our KC&JJ episode with FWA and MSJ is now out! Check it out here:

Prologue

A farewell for the brand’s iconic watch, in collaboration with designer Matt Smith-Johnson.

– FWA, 2021

Over the last two years, the integrated bracelet steel sports watch gained traction from a lot of microbrands. The founders of Nodus Watches, Cullen Chen and Wes Kwok, mentioned on their highly entertaining and informative podcast Long Roads that they too wanted to take on the genre of watches popularised by Gérald Genta. 

Last year, I reviewed the Dietrich Pure Time for another website. I still consider it a modern classic, and the stainless steel model simply spoke to me. It modernised the Genta formula and added a design language that only a brilliant mind such as Emmanuel Dietrich’s could conjure. The Pure Time was a collaboration between Dietrich and Matt Smith-Johnson. Mr. Smith-Johnson’s designs have a way of extracting unexpected characters out of already existing model lines. In the case of the TC Pure by Dietrich, he expertly designed a timepiece that is arguably the perfect integrated bracelet steel sports watch. I still to this day get little pangs of pain from missing that watch.

So, when I heard that Mr. Smith-Johnson had collaborated again on another watch, but this time with the much-adored brand Seals Watches, I simply had to have some time with the watch. This is the third A.5 which Mr. Smith-Johnson has designed, and it is arguably my favourite. 


How it Wears

We shall start out this review with a matter of perspective. Due to the nature of my life and the work that I do, I simply do not wear watches with integrated bracelets, or ones that have bespoke lugs. For the daily grind, wearing any bracelet is not an option for it would utterly destroy the laptops I work on. Do not even get me started about dive watches with integrated bracelets and straps when taking them underwater.

With that out of the way, I admire this genre of watches from afar. They carry with them an appeal that other watches do not. They, more than any other genre of watches, look like a single piece of art. This cohesive character gives these timepieces the feeling of being an entire suit of armour for your wrists. The beautifully brushed case and bracelet add to this. At 12mm thick, the A.5 can slip under a cuff. It may, for the overall endlink-to-endlink length here is a staggering 60mm, up from its 50mm lug-to-lug. This will make those with wrists smaller than 6.5 inches potentially look elsewhere. I have a 6.75-inch wrist and it wears well to my eyes, as well as to those I asked. However, I do not like watches smaller than 40mm and wear a 51mm Garmin all the time. The bracelet just starts to taper at the end of my wrists. Any smaller wrists, and this watch may prove too awkward to pull off.

Like the Royal Oak, Nautilus, and the Dietrich TC Pure, the A.5 simply looks perfectly at home with any outfit. This limited edition Michael Knight model would look perfect with a suit or even at a formal event. If you are the sort of person who demands others to never wear a watch (or a dress watch smaller than 38mm) to a formal event, I am pretty sure that you also love the sound of your own voice. Yes, this is a limited edition, and the last model to be made in the A.5 range.


The Design

The exquisite detail of this dial is where this version of the A.5 proves to be my personal favourite. The matte dial is subtly raised from the grey seconds ring, and it truly leaps to your attention as a result. The crosshairs give the dial some grounding to not get lost in. The contrast between the hands, modern Arabic numerals, and gorgeous octagonal seconds hand tip makes legibility essentially perfect. The second chapter ring hovers above the other dial elements, further adding depth and weight to the viewing experience. The lume burns bright enough for this type of watch and never caused any concern.

The execution of this dial and all its elements truly makes this a timepiece the eye will never tire of. The applied and brushed steel Seals logo further adds to the watch’s character,  summarised by one word: substance.

The brushing from the logo extends outward to the case except for the outer bezel. This careful use of polishing dramatically frames the beautiful case. This genre of watches is known to be more loved by the owner as time passes. The more scars, the more attractive and alluring the timepiece becomes. So, any off-hand complaints about the placement of polishing on a watch of this design genre is simply nitpicking.

However, areas where one does not have to nitpick to find some fault are the clasp and the interaction with the crown. The crown guards do their job a little too well. With the crown fully extended, the user’s thumb and index finger will grind against the sharp crown guards. Winding a mechanical watch should be a pleasurable experience. However, reengineering the entire stem to pop out even further, or to get rid of these lugs, are in the former case impossible, and in the latter would make for a lesser watch. These crown guards are truly beautiful and add to the feeling of weight and a sense of severity.

The stamped clasp would be fine on most other watches, but it is out of place here. Though it looks delightful when on the wrist, especially with the powerful placement of the logo, its weight and tinny feel and sound do not belong on such a watch. The case and the bracelet of this watch are purposefully substantial, and the thin clasp simply does not live up to the rest of the watch. With the case of the watch being as substantial as it is, the weight balance of the watch is very top-heavy as a result. A milled clasp would truly elevate this watch. Keep in mind that this clasp was definitely chosen due to cost and that of availability from the various choice of suppliers. The microbrand space has to continuously combat with various factors that we as the consumer are not aware of. Usually if there is one or two characteristics of a watch that look and or feel out of place, it is for a good reason. This reason almost always comes down to the cost of production, and the tolerance for how much of that cost is passed down to the consumer.

Lastly, the bracelet links use a pin system. Granted, you will only have to change the size of the bracelet once, but like the stamped clasp, this is out of place today’s market. Screwed links and a higher-quality clasp would essentially make this watch faultless. 


Conclusions

Whereas Mr. Smith-Johnson collaborated with Seals to make two colourful renditions and remixes of the A.5, he now has created another timeless gentlemen’s sports watch that will stand the test of time. If you like watches that wear larger, and want a watch that you can take anywhere, then look no further than the A.5 Michael Knight by Seals Watches.

For more details and specifications, click here.

For Team Matick,

FWA

#TimeWellSpent – A Virtual Afternoon with Omega Watches – Novelties 2021

Introduction

Omega has finally unveiled their novelties for 2021, and we at Team Matick had the privilege of being present for the virtual launch. As there are already a number of in-depth articles detailing the exact specifications of the watches in question, we’ll instead be sharing some of our thoughts on these new watches, as well as answering some specific questions that you may have.

Oh, for those of you who are too lazy to read and prefer to listen to this episode (just kidding), check us out here @ The KC & Jon Jon Show:


Seamaster

First up in the line of new releases, we have the Omega Seamaster 300. First released in 1957, the latest generation is thinner than the last-gen model, thanks to the new domed sapphire glass and reworked case geometry. It also has a new movement, with the Calibre 8912 Master Chronometer movement (previously found on the Omega PloProf) beating within.

The watch contains plenty of vintage cues, from its clean sandwich dial inspired by early Seamaster 300 models in the 1960s, to its lollipop seconds hand. All the superfluous dial text has now been moved to the caseback, a good move in our book. As for case size, the watch remains at 41mm, although it may now have more presence on the wrist, with the dial opening increasing to 30.4mm from 29.5mm. On the other hand, the new angled, thinner case and bracelet with female end-links will probably help this watch be significantly more wearable for those with smaller wrists. We hope to go hands-on soon enough, and we’ll be sure to bring you an update!

While there has been a move towards ceramic bezel inserts across the industry as a whole, Omega has opted to use an aluminium one instead for its latest Seamasters, albeit one that is fully lumed. When we spoke to Jean-Claude Monachon, VP of Product/Customer Service and Product Development at Omega, he cited aesthetics as the primary reason for this choice, citing aluminium’s more vintage look. They were also only able to achieve a similar pantone to the dial via the use of aluminium, in order to achieve a pleasing, uniform appearance. 

To assuage concerns regarding reliability and durability, Gregory Kissling, Omega’s Head of Product Management, informed us that there is an oxalic anodised coating on the aluminium that has a hardness of approximately 500 Vickers. This offers a scratch resistance similar to that of LiquidMetal technology used on other Omega models.

The flagship model of the range here is obviously the Bronze Gold Model Seamaster 300. In case it isn’t obvious from the name, this particular Seamaster 300 is fully cased in Omega’s proprietary patent-pending alloy that was inspired by ancient Greece’s Corinthian Bronze. Its composition of copper, gold, silver, palladium, and gallium, creates a soft pink hue that sits between the brand’s 18K Moonshine gold and 18K Sedna gold.

Aside from the prerequisite copper (50%), the main ingredient in any bronze alloy, gold (37.5%) is added to bolster corrosion resistance and the specific amount used is to allow it to be hallmarked as 9K gold. The remaining 17.5% contains a secret blend of silver, palladium, and gallium, which provides colouration, shine, and promotes a more controlled patination process. This particular alloy offers bronze’s corrosion resistance without the scourge of verdigris formation (the greenish corrosion residue usually found on bronze), while still allowing for the formation of an even and mild patina over time. Omega has promised us that this material will age slowly and retain its vibrant shade, while developing a natural and beautiful patina over a longer period of time.

The dial, on the other hand, is made from an aging process with regular bronze, tropicalised to a deeper shade of brown before being coated with a sealant. This coating, along with the fact that the dial will be hermetically sealed within the 300m water-resistant case means that the dial will remain untarnished. Gregory also stated that the desired colour of the dial was impossible to achieve with Bronze Gold due to its chemical stability.

TL;DR

  • Available in black, blue and Bronze Gold variants;
  • Brand new Bronze Gold alloy, offering vibrant hues with slow, controlled patination;
  • More vintage aesthetics, with less dial text and a lollipop seconds hand;
  • New Master Chronometer movements;
  • Fully lumed bezel, but now in strengthened aluminium instead of ceramic; and
  • New, more wearable case dimensions, and female end-links for the bracelet.

Aqua Terra / Constellation

Next, Omega focuses on the discerning female collector with the Constellation Small Seconds and Seamaster Aqua Terra. Firstly, both watches will now have Master Chronometer movements by METAS (Federal Institute of Metrology), with the Calibre 8800 powering the Aqua Terra, and Calibre 8802/8803 powering the Constellation. Both ranges measure in at 34mm, both feature colourful dials, and are available mostly in precious metals, although the Aqua Terra will also be available in a two-tone combination of stainless steel and 18K Sedna gold.

Coming with a new array of textured dials in various striking colours and bejewelled bezels and hour markers, there’s something for everyone here in this new collection.

TL;DR

  • 34mm dials across the board.
  • Vibrant hues and textured dials.
  • New Master Chronometer movements.
  • Mostly precious metal cases with bejewelled bezels and dials.

Trésor

Omega’s deeply underrated dress series has now been revamped, with 2 new variants of the simple and elegant dress watch. The flagship model now has a small seconds at 6 o’clock that is balanced by, for the first time, a power reserve display at 12 o’clock. Powered by the brand new Calibre 8934 Master Chronometer, it is a manual winding movement with 72 hours of power reserve. Coming in a 40mm diameter case, it measures only 10mm thick inclusive of the box sapphire crystal, despite co-axial movements usually being significantly thicker than other more traditional movements.

According to Jean-Claude and Gregory, this was achieved by building the Calibre 8934 from the ground up with an integrated power reserve complication. Unlike other movements that use a module to integrate a complication to an existing architecture, this integration allows for the movement to be significantly thinner. It was also at this point that Gregory mentioned that the Calibre 8900 movement had sufficiently high torque to be a “tractor” movement; an interesting tidbit that we hope to revisit in the future!

The other new model in the Tresor line comes without the power reserve complication but maintains the small seconds display, via the also new Calibre 8926 Master Chronometer. With just the petite secondes at 6 o’clock, it retains a more traditional dress watch aesthetic. One model with a deep, shimmering blue dial was a real standout to us here at Team Matick, and we hope to bring you more pictures of that soon.

TL;DR

  • Brand new movements with small seconds and power reserve complication;
  • 10mm thick, inclusive of box sapphire crystal; and
  • Available in precious metal and stainless steel cases.

Seamaster 300M Black Black

In the vein of the Dark Side of the Moon (“DSOTM”) (and, partially, the Planet Ocean Deep Black), Omega has now launched an all-new addition to the Seamaster Diver 300M line, the Black Black. True to its name, this new variant comes entirely blacked out: the case, crown, helium release valve, bezel, insert, and dial are all made from black zirconium dioxide (ZrO2) ceramic, along with PVD blackened hands, anthracite black Super-LumiNova, and a black rubber strap with black ceramic clasp. Omega was not messing around when they named this the Black Black, something our own Vincent discovered when he asked the question, to which Jean-Claude simply answered: because everything is black, literally.

In order to achieve some semblance of visibility and visual interest, the watch blends a serious contrasting mix of finishes; brushed and polished segments of the case, polished hands to stand out against the matte wave dial, and a textured, laser-ablated finish on the bezel insert. We believe they may have achieved this, based on the quick look we managed to get via the online presentation with Gregory, but we’ll reserve judgement for when we manage to meet this watch in the metal (or ceramic, as it were).

TL;DR

  • New blacked out Seamaster, in the style of DSOTM;
  • Fully ceramic external components;
  • Various finishes throughout to improve visibility; and
  • Nekton-style textured bezel insert.

Moonwatch Velcro Straps

In the most interesting launch of the year, at least for our resident Moonwatch fanboy KC, Omega has listened to their fans and launched a series of NASA-style Velcro straps. We say NASA-style, as they are not quite the same as the original straps used by the astronauts during space missions. Using a two piece construction rather than the pass-through design of the original, the new strap sacrifices security against springbar failure for a more comfortable fit, with less material underneath the watch.

These new straps will be available in 3 colourways at launch: a standard black version most reminiscent of the original, a white version that serves as a callback to the Alaska Project, and a silver version that harkens to the pre-Moon Project Mercury era and their pioneering silver spacesuits. All versions of the strap will come with the classic NASA “meatball” logo, a nod that Speedmaster lovers are sure to appreciate.

As our in-house Speedy fanatic has the wrist circumference of a toothpick, he was concerned about the sizing of these new straps. However, Jean-Claude was kind enough to reassure him that while the initial launch will only come in a “regular” size, short and extra long sizes will also be released to ensure that all enthusiasts will be able to find an appropriate fit.

TL;DR

  • Two piece NASA-style velcro straps;
  • Available in black, white and silver;
  • Comes with the classic NASA “meatball” logo; and
  • Three sizes will eventually be available.


Conclusion

In line with Omega president Raynald Aeschlimann’s vision of streamlining the entire collection, the focus of the new releases was evolutionary rather than revolutionary, consisting of upgrades to existing models, rather than introducing brand new ones. These upgrades include new materials, new Master Chronometer-certified movements, and subtle design tweaks inspired by Omega’s vast archives. Omega is also moving towards having Master Chronometer-certified movements powering every watch, which is a testament to the quality and standard of excellence that Omega strives for.

For Team Matick,

KC, Jon

Featuring our Podcast: The KC & Jon Jon Show!

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“An awkward yet arousing duo having amateur discussions about watches, occasionally about alcohol, but mostly irreverent and absurd humour.”

– JonJon, 2020

Simon and Garfunkel. Batman and Robin. Chris Tucker and that Chinese martial arts dude. Dynamic duos are omnipresent in both fictional and non-fictional media, and now we have another addition to the long, illustrious list of dynamic duos: KC and JonJon.

These two could not have been any different. KC, aka Ng Kuo Chern, is a doctor by day (and sometimes night). Meanwhile JonJon, aka Jonathan Thong, contributes nothing useful to society. Yet, like human-shaped magnets, these two polar opposites were attracted by the sheer force of their witty banter. With a chorus of angels in the background, signifying the holy unity of this awkward yet arousing pair, they decided to share their gospel with the world through the greatest podcast that has ever been created.

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Art by Nadirah Sharif